Author Biographies (xiii) [Susan Hallam (xiii), Evangelos Himonides (xiv)] | Preface (xvii) | 1. Introduction (1) [Music, Its Functions and Origins (2), Transfer of Learning (7), Methodological Issues (9), Ways of Engaging with Music and Varying Levels of Commitment (11), Music Therapy (13), Interpreting the Research Findings (13)] | 2. Music and Neuroscience (15) [Neuroscientific Methods (17),…
acknowledgements vii\\\\r\\\\nglossary of special terms ix\\\\r\\\\nintroduction: approaching musical life in early\\\\r\\\\npost-soeharto yogyakarta 1\\\\r\\\\nMusical worlds and their genres 10\\\\r\\\\nTheory and concepts 21\\\\r\\\\nResearch methods 24\\\\r\\\\nOverview 26\\\\r\\\\npart 1 music and the street\\\\r\\\\nbackground 31\\\\r\\\\nCultural capital and its spatial variants 34\\\\r\…
Notes on Contributors ix\\\\r\\\\nClassical Music Futures: An Introduction 1\\\\r\\\\nNeil Thomas Smith and Peter Peters\\\\r\\\\nWhose Future?\\\\r\\\\n1. Roundtable 1: Whose Future? 29\\\\r\\\\nNeil Thomas Smith with contributions from Maria Hansen,\\\\r\\\\nKirsteen Davidson Kelly, and George E. Lewis\\\\r\\\\n2. Classical Music has a Diversity Problem 41\\\\r\\\\nBrandon Farnsworth\\\\r\\\\…