Contents\\\\r\\\\n\\\\r\\\\nList of Figures ix\\\\r\\\\nContributors x\\\\r\\\\nAcknowledgements xiv\\\\r\\\\n1 Introduction Alison Jeffers 1\\\\r\\\\nPart One The Community Arts Movement: Experimentation\\\\r\\\\nand Growth\\\\r\\\\n2 The Community Arts Movement 1968–1986 Alison Jeffers 35\\\\r\\\\n3 Community Arts – a Forty-Year Apprenticeship: A View\\\\r\\\\nfrom England Gerri Moriarty …
Contents\\\\r\\\\n\\\\r\\\\nList of Illustrations vii\\\\r\\\\nAcknowledgments viii\\\\r\\\\nNote to the Reader x\\\\r\\\\nNotes on Contributors xi\\\\r\\\\nIntroduction: What Is “Esotericism” in East Asia? Historical and\\\\r\\\\nMethodological Perspectives 1\\\\r\\\\nChienhui Chuang, Sangyun Han, and Julian Strube\\\\r\\\\nPart 1 Naming and Framing the “Esoteric” and “Occult”\\\\r…
Preface: The New Aristocracy of Fame vii\\\\r\\\\n1 Celebrity Supernova 1\\\\r\\\\n2 The Fame Formula 27\\\\r\\\\n3 Celebrity and Sickness 35\\\\r\\\\n4 Charisma Gulch 58\\\\r\\\\n5 Exposure Management 78\\\\r\\\\n6 Supply Side Factors in Celebrity Infl ation 88\\\\r\\\\n7 Demand Side Factors 98\\\\r\\\\n8 Para-social Relationships 123\\\\r\\\\n9 The Icarus Complex 142\\\\r\\\\n10 Reality TV: T…
List of Illustrations vi\\\\r\\\\nList of Plates xi\\\\r\\\\nAcknowledgments xii\\\\r\\\\n\\\\r\\\\nIntroduction: Fashion as Museum Object 1\\\\r\\\\n1 Foundation Garments: Precedents for Fashion History\\\\r\\\\nExhibitions in Museums 13\\\\r\\\\n2 Window Shopping: Commercial Inspiration for Fashion in\\\\r\\\\nthe Museum 31\\\\r\\\\n3 The New Objectivity: Social Science Methods for the\\\\r\\…
CONTENTS.\\\\r\\\\nI. THE DRESS, B.C. 594--A.D.\\\\r\\\\n1897 3\\\\r\\\\nII. CURIOUS HEADGEAR 15\\\\r\\\\nIII. GLOVES 25\\\\r\\\\nIV. CURIOUS FOOTGEAR 31\\\\r\\\\nV. BRIDAL COSTUME 39\\\\r\\\\nVI. MOURNING 51\\\\r\\\\nVII. ECCENTRICITIES OF MASCULINE\\\\r\\\\nCOSTUME 61\\\\r\\\\nVIII. A CHAT ABOUT CHILDREN AND\\\\r\\\\nTHEIR CLOTHING 71\\\\r\\\\nIX. FANCY COSTUME OF VARIOUS\\\\r\\\\nPERIODS 79\…
List of Illustrations ix\\\\r\\\\nAcknowledgments xi\\\\r\\\\nIntroduction. Three Transnational Trailblazers 1\\\\r\\\\n1. Sarah Bernhardt: Transformative Fame in Britain and America 19\\\\r\\\\n2. Gabrielle Réjane: The Comedy of a Celebrity Commoner 56\\\\r\\\\n3. Mistinguett: The Making of Modern Cinema 91\\\\r\\\\n4. The Filmic Front: Transnational Cinema and World War I 128\\\\r\\\\nConclu…
Acknowledgements 7\\\\r\\\\n\\\\r\\\\nIntroduction - The Othered Cinema 9\\\\r\\\\n\\\\r\\\\nChapter 1 - Architectures of Exhibition 27\\\\r\\\\n\\\\r\\\\nThe Passages of Cinema 32\\\\r\\\\nProjection and Patrimony 34\\\\r\\\\nBlack Box/White Cube 39\\\\r\\\\nThe New Blockbusters 43\\\\r\\\\nThe Myth of Activity 50\\\\r\\\\nMedia at MoMA 55\\\\r\\\\n\\\\r\\\\nChapter 2 - Filmic Ruins 65\\\\r\\\…
Contents\\\\r\\\\n\\\\r\\\\nAcknowledgments vi\\\\r\\\\nIntroduction: What Is Cultural Appropriation, Anyway? 1\\\\r\\\\nThe Theft Argument 13\\\\r\\\\nThe Disrespect Argument 32\\\\r\\\\nThe Request Argument 48\\\\r\\\\nHow Should the State Respond to Cultural Appropriation? 65\\\\r\\\\nHow Should Individuals Respond to Cultural Appropriation? 82\\\\r\\\\nReferences 97\\\\r\\\\nIndex 110
Contents\\\\r\\\\n\\\\r\\\\nList of illustrations vi\\\\r\\\\nAcknowledgements viii\\\\r\\\\nList of abbreviations x\\\\r\\\\nIntroduction 1\\\\r\\\\n1 A new profession 27\\\\r\\\\n2 The (general) Consultant Designer 64\\\\r\\\\n3 Women’s work 95\\\\r\\\\n4 Professional codes 127\\\\r\\\\n5 Crisis of professionalism 153\\\\r\\\\n6 Social responsibility and the industrial designer 177\\\\r\\\\…
Contents\\\\r\\\\nAcknowledgements vi\\\\r\\\\n1 The Korean Wave as a Sociolinguistic Phenomenon 1\\\\r\\\\n2 Soft Power beyond the State 16\\\\r\\\\n3 The Soft Power of Hallyu: The State and the Creative Industries 36\\\\r\\\\n4 K-Pop: Product and Process 57\\\\r\\\\n5 K-Dramas: Serialising Korean Culture 78\\\\r\\\\n6 K-Films: Korean Culture as Movie Spectacle 99\\\\r\\\\n7 Beyond the Three K…