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Classical Music Futures

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Notes on Contributors ix\\\\r\\\\nClassical Music Futures: An Introduction 1\\\\r\\\\nNeil Thomas Smith and Peter Peters\\\\r\\\\nWhose Future?\\\\r\\\\n1. Roundtable 1: Whose Future? 29\\\\r\\\\nNeil Thomas Smith with contributions from Maria Hansen,\\\\r\\\\nKirsteen Davidson Kelly, and George E. Lewis\\\\r\\\\n2. Classical Music has a Diversity Problem 41\\\\r\\\\nBrandon Farnsworth\\\\r\\\\n3. Roundtable 2: Documenting Change: The Role of\\\\r\\\\nBest-Practice Guidelines 59\\\\r\\\\nNeil Thomas Smith (MCICM) with contributions from Hannah Bujic (Sound\\\\r\\\\nand Music), Francine Gorman (Keychange), and Fiona Robertson (Sound)\\\\r\\\\n4. Until George Floyd: An Afrofuturist Perspective on the\\\\r\\\\nFuture of Classical Music and Opera 81\\\\r\\\\nAntonio C. Cuyler\\\\r\\\\n5. The Voice Party – A New Opera for a New Political Era 91\\\\r\\\\nLore Lixenberg\\\\r\\\\nFuture Musicians\\\\r\\\\n6. Becoming a Classical Musician of the Future The Effects of\\\\r\\\\nTraining and Experience on Performer Attitudes to Innovation 103\\\\r\\\\nStephanie Pitts, Karen Burland and Tom Spurgin\\\\r\\\\n7. The Global Conservatoire: Towards an Integrated Approach to\\\\r\\\\nDeveloping Twenty-First-Century Artists 127\\\\r\\\\nDiana Salazar and Christina Guillaumier\\\\r\\\\n\\\\r\\\\nvi Classical Music Futures\\\\r\\\\n\\\\r\\\\n8. Meaningful Music in Healthcare: Professional Development\\\\r\\\\nand Discovered Identities of Classical Musicians Working in\\\\r\\\\nHospital Wards 153\\\\r\\\\nKrista de Wit and Beste Sevindik\\\\r\\\\nInnovating Institutions\\\\r\\\\n9. Roundtable 3: Orchestras in a Changing Climate 177\\\\r\\\\nNeil Thomas Smith and Peter Peters with contributions from Teemu Kirjonen,\\\\r\\\\nDetlef Grooß, Georgina MacDonell Finlayson, and Jan Jaap Knoll\\\\r\\\\n10. Is It Time for Brahms, Again? The Many Roles of Classical\\\\r\\\\nMusic in the German-Speaking Lands in 2023 191\\\\r\\\\nJutta Toelle\\\\r\\\\n11. The Environmental Sustainability of Symphony Orchestras:\\\\r\\\\nChallenges and Potential Solutions 205\\\\r\\\\nStine Skovbon\\\\r\\\\nLearning from the Art Museum\\\\r\\\\n12. The ‘Museum Problem’ Revisited: Learning from\\\\r\\\\nContemporary Art Conservation 229\\\\r\\\\nDenise Petzold\\\\r\\\\n13. Futuring Classical Music through Contemporary Visual Art:\\\\r\\\\nInnovative Performance and Listening in the Works of the Artist\\\\r\\\\nAnri Sala 253\\\\r\\\\nNoga Rachel Chelouche\\\\r\\\\nSpace and Proximity\\\\r\\\\n14. Changing Rooms: A Diary of Spatial Innovation 277\\\\r\\\\nNeil Thomas Smith\\\\r\\\\n15. Monsieur Croche – Concerts at Eye Level 299\\\\r\\\\nTal Walker\\\\r\\\\n16. Strategies of Proximity: Breaking Away from the Standard\\\\r\\\\nClassical Concert 315\\\\r\\\\nFolkert Uhde and Hans-Joachim Gögl\\\\r\\\\n\\\\r\\\\nTable of Contents vii\\\\r\\\\n\\\\r\\\\n17. Audiences of the Future – How Can Streamed Music\\\\r\\\\nPerformance Replicate the Live Music Experience? 333\\\\r\\\\nMichelle Phillips and Amanda E. Krause\\\\r\\\\nArtifical Intelligence\\\\r\\\\n18. Artificial Intelligence and the Symphony Orchestra 355\\\\r\\\\nRobert Laidlow\\\\r\\\\n19. Ghosts of the Hidden Layer 379\\\\r\\\\nJennifer Walshe\\\\r\\\\nList of Illustrations 401\\\\r\\\\nList of Audio Files 403\\\\r\\\\nIndex 405

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Series Title

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Call Number

780.905 Nei c

Publisher

Cambridge : OpenBook Publisher., 2024

Collation

ix, 432 hlm. : 23,4 x 15 cm

Language

English

ISBN/ISSN

978-1-80511-076-7

Classification

780.905

Content Type

-

Media Type

-

Carrier Type

-

Edition

-

Subject(s)

Classical music--Social aspects
Orchestra--Management
Musical innovation

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