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Music and the Making of Modern Japan

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Acknowledgements xiii\\\\r\\\\nIntroduction: Music and Japan 1\\\\r\\\\nOverview and Chapters of the Book 17\\\\r\\\\nA Note on Terminology 26\\\\r\\\\nJapanese Names 27\\\\r\\\\nPart One: Global History, Modernity, and Western Music 29\\\\r\\\\n1. Global History, Musical Modernity, and the Globalization\\\\r\\\\nof Western Music 31\\\\r\\\\nGlobal Modernity 33\\\\r\\\\nMusical Modernity 38\\\\r\\\\nThe Globalization of Western Music 48\\\\r\\\\nTransnational Circulation in Northeast Asia 55\\\\r\\\\n‘Western’ versus ‘Modern’ 59\\\\r\\\\n2. Under Reconstruction: Japan, the United States, and the\\\\r\\\\nEuropean Model 63\\\\r\\\\nThe Beginnings of Music Education in America 66\\\\r\\\\nConcerts and the Veneration of European Art Music 70\\\\r\\\\nThe Quest for a National Music 76\\\\r\\\\n3. The Case of Japan 87\\\\r\\\\nWestern Music and Musical Reform 89\\\\r\\\\nTraditional Musical Genres and the Meiji Reforms 93\\\\r\\\\nThe Meiji Reforms and the Introduction of Western Music 100\\\\r\\\\nThe Expansion of the Musical Infrastructure 108\\\\r\\\\nGlobalization, Sound Technology, and the Quest for\\\\r\\\\na Japanese Sound 113\\\\r\\\\nThe Postwar ‘Musical Miracle’ and Its Critics 121\\\\r\\\\n\\\\r\\\\nx Music and the Making of Modern Japan\\\\r\\\\n\\\\r\\\\nPart Two: Music for the Nation 125\\\\r\\\\n4. From Rites and Music to National Music 127\\\\r\\\\n5. Isawa Sh?ji: Music, Movement, Science, and Language 139\\\\r\\\\nKeeping Them Together in Time: Froebel’s Movement Games 141\\\\r\\\\nMusic, Language, and Science 147\\\\r\\\\nMusic Education 152\\\\r\\\\n6. Civilizing Citizens: Music Reform 157\\\\r\\\\nIsawa Sh?ji and the Tokyo Academy of Music 162\\\\r\\\\nThe Debate about the Existence of the Tokyo Academy\\\\r\\\\nof Music 167\\\\r\\\\nShikama Totsuji’s Contribution 172\\\\r\\\\n7. Shikama Totsuji: Music Reform and a Nationwide Network 181\\\\r\\\\nGlobal Ambitions and a Nationwide Network: The Musical\\\\r\\\\nMagazine (Ongaku zasshi) 185\\\\r\\\\nShikama Totsuji’s Other Publications 190\\\\r\\\\nShikama Totsuji as a Performer, Collector and Inventor of\\\\r\\\\nMusical Instruments, and Band Instructor 192\\\\r\\\\n8. Playing Modern: Blending Japanese and Western Music 203\\\\r\\\\nMusic Reform in Practice: Graduates of the Tokyo Academy\\\\r\\\\nof Music and Blended Music 205\\\\r\\\\nBlended Music as a Commercial Enterprise 222\\\\r\\\\nPart Three: The World, Japan, and Sendai 237\\\\r\\\\n9. Local Pioneers and the Beginnings of Western Music in Sendai 243\\\\r\\\\nThe Shikama Brothers in Sendai 246\\\\r\\\\nMusic in the Second High School 263\\\\r\\\\nSendai’s Concert Culture around 1907 282\\\\r\\\\n10. Foreign Actors: Kate I. Hansen 293\\\\r\\\\nA Transnational Life and a Musical Mission 295\\\\r\\\\nKate Hansen and the Music of Others: Sendai’s Concert\\\\r\\\\nCulture Through Foreign Ears 300\\\\r\\\\nTeaching Japanese Girls to Sing 328\\\\r\\\\n\\\\r\\\\nContents xi\\\\r\\\\n\\\\r\\\\n11. The World in Sendai 345\\\\r\\\\nT?hoku Ongakuin 351\\\\r\\\\nThe Second High School 357\\\\r\\\\nMiyagi Normal School 366\\\\r\\\\nMiyagi College 374\\\\r\\\\nOther Institutions 378\\\\r\\\\nRepresenting the Nation and the World in Sendai 381\\\\r\\\\nConclusion 387\\\\r\\\\n\\\\r\\\\nAppendix: Chronological List of Concerts in Sendai Reported\\\\r\\\\nin Ongakukai 405\\\\r\\\\nBibliography 409\\\\r\\\\nIndex 439\\\\r\\\\nAbout the Author 451

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Detail Information

Series Title

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Call Number

780.952 Mar m

Publisher

Cambridge : OpenBook Publisher., 2024

Collation

xiv, 472 hlm. : 24 x 16 cm

Language

English

ISBN/ISSN

978-1-800-64384-0

Classification

780.952

Content Type

-

Media Type

-

Carrier Type

-

Edition

-

Subject(s)

Music--Japan--History and criticism
Music and state--Japan
Japan--Civilization--1868-1912

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