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Literary Trials: Exceptio Artis and Theories of Literature in Court
Contents\\\\r\\\\n\\\\r\\\\nNotes on Contributors vii\\\\r\\\\nAcknowledgements ix\\\\r\\\\nLiterary Trials as Mirrors. An Introduction\\\\r\\\\nRalf Grüttemeier 1\\\\r\\\\nPart I Towards More Autonomy of Literature. Histories\\\\r\\\\nof Literary Trials 19\\\\r\\\\n1 Th e Legal Responsibility of the Writer Between Objectivity and\\\\r\\\\nSubjectivity: Th e French Case (Nineteenth to Twenty-First Century)\\\\r\\\\nGisèle Sapiro 21\\\\r\\\\n2 Th e Making of the 1959 Obscene Publications Act: Trials and\\\\r\\\\nDebates on Literary Obscenity in Britain Before the Case of\\\\r\\\\nLady Chatterley\\\\r\\\\nAnton Kirchhofer 49\\\\r\\\\n3 Law and the Literary Field in South Africa, 1910–2010\\\\r\\\\nTed Laros 69\\\\r\\\\n4 De Sade as a Benchmark. Dutch Legal Actions Against Obscenity\\\\r\\\\nin Literature, Th eatre and Film in the 1960s and 1970s\\\\r\\\\nKlaus Beekman 89\\\\r\\\\n5 Freedom of Satire? Oskar Panizza’s Play Das Liebeskonzil\\\\r\\\\nin a Series of Trials in Germany and Austria\\\\r\\\\nClaudia Lieb 107\\\\r\\\\n6 ‘Words Are No Deeds’. Trials Against Literature in the Soviet Union\\\\r\\\\nSylvia Sasse 123\\\\r\\\\nPart II Change of Rules? Th e Challenges of Defamation and Religion 139\\\\r\\\\n7 Literature Losing Legal Ground in Germany? Th e Case of Maxim\\\\r\\\\nBiller’s Esra (2003–2009)\\\\r\\\\nRalf Grüttemeier 141\\\\r\\\\n8 Defamation Trials in Belgium – Th e Case of Herman Brusselmans’s\\\\r\\\\nNovel Uitgeverij Guggenheimer\\\\r\\\\nKatharina Hupe 159\\\\r\\\\n9 Libellous Literature: Elton John and the Perils of\\\\r\\\\nClose Reading\\\\r\\\\nPeter D. McDonald 175\\\\r\\\\n10 ‘Th e Law Is a Ass’: Obscenity, Blasphemy and Other Literary\\\\r\\\\nOff ences aft er Lady Chatterley\\\\r\\\\nMartin A. Kayman 191\\\\r\\\\nIndex 217
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