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Aesthetic Amalgams and Political Pursuits: Intertextuality in Music Videos

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List of Illustrations (xi) | Acknowledgments (xiv) | Introduction: Word-Sound-Image—Intertextuality in Music Videos (1) | Section 1 Music Video as New Transmedial Practice: 1 Integrated Pop: Intertextuality, Music Video, and Transmedia Production Modes in Popular Music (23), 2 Music Video Meets Social Media: Intertextuality, New Aesthetics, and the Development of New Practices (41), 3 Nostalgic Simulation: Intertextuality and Gaming in Muse’s “Thought Contagion” Video (61), 4 “I’m too classy for this world, forever, I’m that girl”: Media Hybrids between Pop and Art in Beyoncé’s Renaissance (83) | Section 2 Intertextuality as a Tool of Political Engagement: 5 Part of Whose World? Intertextuality, Media-lore, and Ethnic Identity in Mermaid Themed Music Videos (109), 6 “Our Time Has Come, Your Time Is Up”: The Song Suffragettes’ March for Gender Equality in Country Music (129), 7 Gold Diggers of MTV: Creating New Gender Narratives from the Busby Berkeley “Showgirl” Trope (149), 8 Ecofeminist Voices and Body Politics in Music Videos by Björk, Aurora, and MØ (171) | Section 3 Repetition with a Difference: Re-Cycling Aesthetic Patterns: 9 Sophie Muller’s Gothic Intertexts (195), 10 Intertextuality in Music Video: The Case of Taylor Swift and Joseph Kahn (217), 11 “I don’t wanna make it, I just wanna... ”: Cinematic Intertextuality in 2000s Emo Music Videos (235), 12 Johnny Zhivago? The Heaven Seventeen? On Stylistic References to Stanley Kubrick’s Films in Music Videos (257) | Contributors (290) | Index (295)

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Series Title

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Call Number

780.26 Tom a

Publisher

London : Bloomsbury Academic., 2024

Collation

xiv, 298 hlm. : 23 x 15 cm

Language

English

ISBN/ISSN

979-8-7651-0952-6

Classification

780.26

Content Type

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Media Type

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Carrier Type

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Edition

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Subject(s)

Music videos–History and criticism
Music videos–Political aspects
Intertextuality

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