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Aesthetic Politics in Fashion
Aesthetic Politics in Fashion: An Introduction\\\\r\\\\nElke Gaugele 10\\\\r\\\\nAesthetic Economies\\\\r\\\\nAesthetic Economies of Fashion: An Introduction\\\\r\\\\nEva Flicker 22\\\\r\\\\nThe Tension of Mallarmé’s Deception Manoeuver:\\\\r\\\\nTemporal, Territorial, and Financial Economies in Fashion\\\\r\\\\nBirke Sturm 30\\\\r\\\\nIt’s All About the Image: The Cooperation between the\\\\r\\\\nFashion Industry and Celebrities\\\\r\\\\nEndora Comer-Arldt 44\\\\r\\\\nAndy’s Heritage: Collaborations between Fashion, Art,\\\\r\\\\nand Louis Vuitton\\\\r\\\\nMonica Titton 60\\\\r\\\\nLife Which Writes Itself: Retrospecting Art, Fashion, and\\\\r\\\\nPhotography in Bernadette Corporation\\\\r\\\\nIlka Becker 76\\\\r\\\\nProduction of Space\\\\r\\\\nFashion and the Production of Space: An Introduction\\\\r\\\\nBarbara Schrödl 98\\\\r\\\\nIt All Started with a Bicycle: Spring/Summer 2013\\\\r\\\\nTanja Bradari? and Taro Ohmae 104\\\\r\\\\nFraming “Saints and Sinners.” Methods of Producing Space\\\\r\\\\nin Fashion Shows: Michael Michalsky’s Fall/Winter 2009 Collection\\\\r\\\\nAlicia Kühl 112\\\\r\\\\nFashion Film: Spaces of Exclusivity and the Globalization\\\\r\\\\nof Accessibility\\\\r\\\\nSabina Muriale 130\\\\r\\\\nThe Waywardness of Fashion: Society in the Subjunctive\\\\r\\\\nMichael R. Müller 146\\\\r\\\\nAlternative Aesthetic Politics\\\\r\\\\nAlternative Aesthetic Politics: An Introduction\\\\r\\\\nElke Gaugele and Monica Titton 164\\\\r\\\\nDressing the Tiger: Decolonization and Style Racism in\\\\r\\\\nSouth-Asian Fashion\\\\r\\\\nRuby Sircar 174\\\\r\\\\n“Jute Not Plastic”: Alternative Product Culture between\\\\r\\\\nEnvironmental Crisis and Fashion\\\\r\\\\nMartina Fineder 186\\\\r\\\\nOn the Ethical Turn in Fashion: Policies of Governance and\\\\r\\\\nthe Fashioning of Social Critique\\\\r\\\\nElke Gaugele 204\\\\r\\\\n“Performing Whiteness”: Revisioning White Textiles in\\\\r\\\\nVisual Culture\\\\r\\\\nBirgit Haehnel 228\\\\r\\\\nImage Credits 246\\\\r\\\\nBiographies 252
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