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Towards Gender Equality in the Music Industry
List of Illustrations (vii) | Notes on Contributors (viii) | Acknowledgements (xii) | 1 Towards Gender Equality in the Music Industry: An Introduction (1) | Part One Education: 2 Gender and Popular Music Education in North America: We Need to Talk (15), 3 Preparing for the ‘Real World’? Exploring Gender Issues in the Music Industry and the Role of Vocational Popular Music Higher Education (29), 4 Engineering a Place for Women: Gendered Experiences of the Music Technology Classroom (45), 5 Qualified Careers: Gendered Attitudes towards Screen Composition Education in Australia (59) | Part Two Current Practice: 6 Gender, Policy and Popular Music in Australia: ‘I Think the Main Obstacles Are Men and Older Men’ (73), 7 Setting the Stage for Sexual Assault: The Dynamics of Gender, Culture, Space and Sexual Violence at Live Music Events (89), 8 South-West England Open Mics: Gender Politics and Pints? (103), 9 Gender Mainstreaming in the Music Industries: Perspectives from Sweden and the UK (117), 10 The Gatekeeper Gap: Searching for Solutions to the UK’s Ongoing Gender Imbalance in Music Creation (131) | Part Three Strategies for Change: 11 Queer Noise: Sounding the Body of Historical Trauma (147), 12 ‘There’s No Money in Record Deals and I’m Not Looking to Be Taken Advantage Of’: Princess Nokia and Urban Feminism in a New Era of Hip-Hop (163), 13 ‘Kill It in a Man’s World’: Gender at the Intersection of the British Asian and Bollywood Music Industries (175), 14 Keychanges at Cheltenham Jazz Festival: Issues of Gender in the UK Jazz Scene (187), 15 Queer(ing) Music Production: Queer Women’s Experiences of Australian Punk Scenes (201) | Index (214)
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