DAFTAR ISI | BAB 1 PENGANTAR DESAIN KOMUNIKASI VISUAL 5.0 | 1.1 Pengertian Desain Komunikasi Visual | 1.2 Sejarah DKV | 1.3 Konsep DKV 5.0 | 1.4 Peran Desain Komunikasi Visual | 1.5 Karakteristik Desainer | BAB II KREATIVITAS DESAIN KOMUNIKASI VISUAL | 2.1 Hakikat Kreativitas dalam Desain | 2.2 Proses Design Thinking | 2.3 Storytelling Digital | 2.4 Kolaborasi | BAB III DESAIN KOMUNIKASI VISUAL…
DAFTAR ISI iii | DAFTAR GAMBAR vi | BAB 1 DESAIN DALAM MASYARAKAT AGRARIS 1 | A. Desain dalam Kehidupan Agraris 1 | B. Desa Adat Bali 1 | C. Harmoni antara Tata Ruang dan Banjar 9 | D. Arsitektur Tradisional sebagai Identitas Budaya 14 | E. Desain Fungsional 17 | BAB 2 DESAIN DALAM SISTEM RITUAL 23 | A. Desain sebagai Ekspresi Spiritual 23 | B. Penjor dan Simbolisme Kesuburan 27 | C. Busana Rit…
DAFTAR ISI | PRAKATA i | KATA PENGANTAR iii | DAFTAR ISI vi | DAFTAR GAMBAR ix | DAFTAR TABEL xii | BAB 1 PENDAHULUAN 1 | BAB 2 BATIK DALAM TRADISI ORNAMEN NUSANTARA 7 | A. Pengertian Ornamen dan Ragam Hias Nusantara 8 | B. Fungsi Ornamen dalam Kehidupan Tradisional 9 | C. Posisi Batik dalam Tradisi Visual Indonesia 11 | D. Sejarah Perkembangan Batik Nusantara 13 | E. Persebaran Tradisi Batik d…
Acknowledgments (xi) | Notes on Editors (xiii) | Notes on Contributors (xv) | List of Figures (xxiii) | List of Tables (xxv) | List of Statistical Abbreviations and Symbols (xxvii) | 1. Introduction: Music Psychology Research in the Western Balkans and Western Europe (1) | PART I: AESTHETIC AND EMOTIONAL EXPERIENCES OF MUSIC: 2. The Role of Affective Dimensions in the Aesthetic Experience of Mu…
List of Illustrations (vii) | Notes on Contributors (viii) | Acknowledgements (xii) | 1 Towards Gender Equality in the Music Industry: An Introduction (1) | Part One Education: 2 Gender and Popular Music Education in North America: We Need to Talk (15), 3 Preparing for the ‘Real World’? Exploring Gender Issues in the Music Industry and the Role of Vocational Popular Music Higher Education (…
List of Illustrations (xi) | Acknowledgments (xiv) | Introduction: Word-Sound-Image—Intertextuality in Music Videos (1) | Section 1 Music Video as New Transmedial Practice: 1 Integrated Pop: Intertextuality, Music Video, and Transmedia Production Modes in Popular Music (23), 2 Music Video Meets Social Media: Intertextuality, New Aesthetics, and the Development of New Practices (41), 3 Nostalg…
Author Biographies (xiii) [Susan Hallam (xiii), Evangelos Himonides (xiv)] | Preface (xvii) | 1. Introduction (1) [Music, Its Functions and Origins (2), Transfer of Learning (7), Methodological Issues (9), Ways of Engaging with Music and Varying Levels of Commitment (11), Music Therapy (13), Interpreting the Research Findings (13)] | 2. Music and Neuroscience (15) [Neuroscientific Methods (17),…
Daftar Isi·Kata Pengantar—iii·Prakata—iv·Daftar Isi—v·Daftar Gambar—vii·Daftar Tabel—viii·Petunjuk Penggunaan Buku—ix·Panduan Umum—1·Pendahuluan—5·Unit Pembelajaran 1 Keunikan Karya Tari Tradisi dan Kreasi dari Perspektif Seni Lain (Rupa, Musik, Drama)—9·A. Tujuan Pembelajaran—10·B. Deskripsi—10·C. Prosedur Kegiatan Pembelajaran 1—12·D. Prosedur Kegiatan Pem…
Acknowledgments (ix) | Preface (xi) 1. From Fan to Professional (1) | 2. Tall Mountains and Green Gables (31) | 3. Our Man, Lupin (51) 4. To the Valley Below (77) | 5. Bringing It All Together: Studio Ghibli (107) | 6. Growing Old in an Uncertain Present (127) A Guide to Further Research (153) | Bibliography (159) | Index (165)
Contents\\\\r\\\\nList of Illustrations viii\\\\r\\\\nAcknowledgements xiv\\\\r\\\\nData Access Statement xv\\\\r\\\\nWorld Index xvi\\\\r\\\\n1 Te Place Between 1\\\\r\\\\nHow change looks 1\\\\r\\\\nImagining otherwise 7\\\\r\\\\nBox 1.1: Further reading 14\\\\r\\\\nEmbracing the impossible 17\\\\r\\\\n2 Speculating sideways 27\\\\r\\\\nEnvisioning parallel worlds 27\\\\r\\\\nActivity 2.1: St…